Mutegramophone

Mutegramophone won't to be mute anymore Mutegramophone ne veut plus être muette

Mark Rothko, No. 12 (Black on Dark Sienna on Purple), 1960. Thank you, yama-bato.
“I paint large pictures because I want to create a state of intimacy. A large picture is an immediate transaction; it takes you into it.”
—Mark Rothko

(via crashinglybeautiful) View high resolution

Mark Rothko, No. 12 (Black on Dark Sienna on Purple), 1960. Thank you, yama-bato.

“I paint large pictures because I want to create a state of intimacy. A large picture is an immediate transaction; it takes you into it.”

—Mark Rothko

(via crashinglybeautiful)

Mis en boîte pour l’éternité
La chaire se flétri et l’esprit ralenti
Emboîtés
Les corps se décomposent
jacobpatterson:

iheartmyart:

Antonio Santin, st(GULA), 150x150cm, acrylic/oil canvas, 2008

This is beautiful. Great expression of passion.
View high resolution

Mis en boîte pour l’éternité

La chaire se flétri et l’esprit ralenti

Emboîtés

Les corps se décomposent

jacobpatterson:

iheartmyart:

Antonio Santin, st(GULA), 150x150cm, acrylic/oil canvas, 2008

This is beautiful. Great expression of passion.

Digital Media, the new solo exhibition by Skullphone, brings the playfulness, obsession, irony and anxiety of the Los Angeles-based artists’s renowned street installations into the Subliminal Projects gallery space. In Digital Media, Skullphone examines the contradictions inherent in outdoor digital signage, demonstrating cause for both wonder and concern over the increasingly ubiquitous medium. The artist explores advertising, government and private enterprise signage, and the California landscape on which outdoor media proliferate, making permanent on panels what is removable and reprogrammable in outdoor space.

Although of the same spirit as his past work, Digital MediaI think marks a distinct visual departure for the artist. His use of mirror-polished, black-painted aluminum panels is a cold and slick leap from past works on found wood, weathered metal, and wheat-pasted paper. Skullphone’s painting technique employs a deliberate dot grid system, and his painted color is expanded to a limited palette of red, green and blue. This shift corresponds to the artist’s recent inspirations and exploits with outdoor digital media. Through painted pointillism, the imagery dislocates as the artwork is approached.

Digital Media
By Skullphone

Exhibition Dates: June 5th - July 2nd, 2010

www.subliminalprojects.com

Edited By Andrew White

by Andy Jenkins, a portion of the NEW DEPRESSION REFUSE series (2009)

source : http://www.bendpress.com/for_sale_2010/forsale_2010.html

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